Zombies and the Books that Contain Them
Nov. 17th, 2022 10:45 pmIt's also the first novel for which I made my own trailer. This is from 2012. So that kid is in his friggin 20s at this point, which is insane.
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Picking Brains with Wednesday Lee Friday: Joshua Hoffine.
Hoffine has a Kickstarter going on RIGHT NOW that can land you some sweet new art.
Joshua Hoffine is a Kansas-born artist with a degree in English Literature. He worked as a professional wedding photographer before moving on to do work for Hallmark, and has been commissioned for publicity photos for various rap artists including Tech N9ne. His current works often utilize themes of children in peril, and quintessential human fears like spiders, clowns, and monsters lurking just outside your field of vision. His own four daughters are the perfect subjects, natural and photogenic girls whom you don't doubt for an instant are truly terrified.
Artists who work in the medium of horror have a hard time of it. Unlike web comics that get passed around with gleeful abandon, horrific art is something that comes on you slow. You have to really look at it, think about it. And it's unlikely to wind up taped to your cubicle or hung from your fridge with a decorative magnet. Still, there are some truly exceptional artists with a passion for examining mankind's most pervasive fears. Luckily for us, one of those geniuses has consented to answer some questions just for us.
WLF/ZZN: Let's get this out of the way: Of all the emotions an artist can choose to evoke, you've chosen fear. Is that because you secretly loathe humanity?
I do not harbor a secret hatred for humanity. I find Horror to be a compelling genre. Horror is psychological, existential, and inherently metaphorical.
WLF/ZZN: Please tell us a bit about your relationship with the undead. When did you first become aware of zombies?
I saw NIGHT OF THE LIVING DEAD when I was 12 years old. Upon reflection, I'm very grateful that this was the first zombie movie I ever saw. When my daughters asked to watch SHAUN OF THE DEAD, I insisted that they watch NIGHT OF THE LIVING DEAD first. (WLF Note: Yay!)
WLF/ZZN: I think it's awesome that you terrify children for the sake of art. That alone is delightfully horrific. Can you reassure your fans that no children were harmed in the creation of your amazing work?
The children featured in the photographs are my own daughters. Other family members play the monsters. The girls are never frightened. For them it's like a big game of dress-up.
WLF/ZZN: Your work is often a single frame that evokes a story. How are you able to say so much in one still photo?
I choose a moment that will offer the possibility of suspense, and then I will often try to suggest a specific sub textual meaning through my production design. Michelangelo Antonioni called this 'symbolic mise-en-scene'.
WLF/ZZN: Many, if not most zombie stories feature undead kids. What do you think it is about zombified tots that is so damn scary?
On some level, they represent the ultimate unruly child, beyond control or discipline, bent on violent and destructive behavior.
There is also the tragedy inherent in child mortality.
Distorting traditional icons of innocence and life, and rendering them as lifeless (and soul-less) - pushes a deep button in most people.
And for some reason, people respond to diminutive sources of threat - spiders, rats, parasites, the dwarf monsters in PHANTASM, and children. Small can be scary.
WLF/ZZN: Your work features varied monsters, both real and fictional. What inspires you to choose a subject?
I look for universal ideas, or cultural iconography, that we can all relate to.
WLF/ZZN: Many horror artists assert that the horror genre still doesn't command the respect it deserves. Do you agree with this? If so, what can be done about it?
I do agree. I am on the very fringes of the art world, and my choice of subject matter is the primary cause. I hope to continue to illustrate and discuss the potential depth of the genre. Films like PAN'S LABYRINTH and LET THE RIGHT ONE IN shine as exemplars of what the genre is capable of.
WLF/ZZN: Who in the wide world of horror inspires you the most?
It's a tie between Mario Bava and Walt Disney.
WLF/ZZN: You've spoken about your emphasis on the psychology of fear. I'm guessing that you're a Jungian. Am I right?
Yes I am. I believe that Horror functions as a projection of the repressed and forgotten fears lurking in the Unconscious mind. I study Jungian psychology partly to better inform my ability to explore and exploit this psychological process in my work.
WLF/ZZN: Your work clearly illustrates some of our most primal fears. What do you see as the value in confronting people with the things they are most frightened of?
Part of my motivation is to show how we are all afraid of the same things.
I also believe that Horror provides a sanctified space for the expression of repressed feelings, such as terror and rage - which is beneficial and necessary - for both the individual as well as society.
WLF/ZZN: How do you think your intimate relationship with monsters and fear will improve your chances of surviving a zombie uprising?
Absolutely. Horror films remind you that life is dangerous - they keep you on your toes. Horror films teach you what not to do in a crisis situation. For instance, you know from countless slasher films that you never go out into the dark woods alone to investigate a weird noise or search for a missing friend. That's just an obvious way to get yourself killed.
WLF/ZZN: After zombies, clowns are probably next on my list of creepy things. As such, "Balloons" is freakin' terrifying. What is it about clowns that frightens us so?
According to child development psychology, young children are easily frightened by distortions of the human form or human face. Clowns fit this bill perfectly. If you see your first clown at a very young age, you are likely to remember them as frightening.
WLF/ZZN: "Pickman's Masterpiece" differs from much of your work in that there are five frames instead of one. It is also based on a Lovecraft story. Can you talk about the process of creating this awesome piece?
Famous Monsters of Filmland Magazine asked me if I would be interested in creating 5 images to illustrate an H.P. Lovecraft story called PICKMAN'S MODEL. I read the story and fell in love with the character of Pickman, a brilliant but ostracized Horror artist. With only 3 weeks and $300 to work with, I chose to focus on the moment in the story when Pickman reveals his masterpiece to a visitor in his underground studio. I found and re-dressed 2 different basement locations to serve as my backdrop. I talked Chad Michael Ward into donating some of his photographs to double as Pickman's artwork. I borrowed everything I needed, including easels and painting supplies, and talked my friends into helping me.
I enjoyed spreading a scene over 5 images. I may do more.
WLF/ZZN: What are you working on next?
Either a child-eating plant or a horde of spiders coming in through the window.
WLF/ZZN: How can fans contact you and buy your work?
All of my work is available for purchase on my website at http://www.joshuahoffine.com/ using PayPal. Signed original prints start at only $25.
WLF/ZZN: Thanks so much for taking the time to answer our questions. Anything you'd like to say to the fans?
Thanks!
(WLF note: Pics used in this interview are NOT complete versions of Mr. Hoffine's various works. They cropped and altered for space and so as not to give away the goods. The best way to see Mr. Hoffine's amazing work is to head over to his website and order some for your very own.)
WLF/ZZN: Hey there! We're so excited you could answer our Q's. I'm sure some of our readers are wondering, what exactly is a Bong?
Well…a BONG is basically a pipe or device that one can use in order to smoke marijuana. Some people who are serious pot smokers actually take pride in their bong collections. Some Bongs are hand blown glass with intricate hand painted colors and chambers that make the whole social pot smoking activity more fun. I used to collect Bongs and had over 150 different bongs from all over the world! (WLF note: Kids, don't try this at home!)
WLF/ZZN: Do you feel there's some kind of cosmic correlation between zombies and fans of marijuana?
I think three’s an even bigger correlation between fans of entertainment in general and pot. Lets face it anything you do straight just feels much better on pot! When we go to concerts to movies or anything else that’s supposed to be fun to begin with, we (those who smoke pot) usually enjoy it even more with pot! (WLF note: See previous note.)
WLF/ZZN: Novelist Christopher Moore has asserted in his novel The Stupidest Angel that zombies have no interest in eating the brains of potheads. Seriously, how relieved were you to hear that?
I have not read Christopher’s book but did hear that they are currently working on a movie for this concept. I think its bullshit to say that zombies are not interested in the brains of those who smoke pot! I know a lot of people who smoke pot including myself who are a lot smarter than those who don’t smoke pot. Besides a zombies hunger is driven by the smell of the living. They have no way of distinguishing whether a person smokes pot or not. At the end of the day we are ALL just meat!
WLF/ZZN: The Bong of the Dead trailer seems to suggest that there will be benefits to be had in the event of a zombpocalypse. Isn't that dangerous thinking?
I’m the type of individual that likes to try and find the positive in any situation. Just because the world ends and zombies have taken over does not mean that has to be it. I like people who can take a bad situation and make the most of it. This is the reason why I wrote the Edwin character as a high functioning creative pot smoker. I guess I wrote myself into that character just to flesh him out even more.
WLF/ZZN: What are the advantages of featuring stoners as the main protagonists?
The definite advantage of that in a comedy film is the fact that it allows you to write whacky scenes and dialogue that is genuinely funny and acceptable. BOTD is supposed to be a fun movie with unique characters that allows you to escape without being bored to death with too much seriousness. I believe having Edwin and Tommy as our stoner leads helped keep a good balance of that. Especially when they meet up with our more serious character, Leah Kroaker.
WLF/ZZN: The trailer features a tough, sexy chick who knows how to shoot and does not appear to be getting anyone a sandwich. Can we assume then, that this story is fiction?
LOL I really enjoyed writing Leah’s Character as this inventive, tough no bullshit type of girl. She is a more modern girl of the 21st century who has no time for being vulnerable. I think it’s nice to see a woman take the power roll in a situation where us men usually are expected to step up. It’s also nice to get a break as a man and have your woman do some ass kicking for you for a change!
WLF/ZZN: Your film played at the Cannes Film Festival. Was that as wicked awesome as it sounds?
Well I had my sales agent go to Cannes to represent the movie since I was staying back to do the Vancouver showing. Because of BOTD’s appearance at Cannes I was able to secure a sale for Australia! That means my movie is now going to be released in The Netherlands, Benelux, Luxemburg and Australia. I’m expecting a big marketing push and release for October of this year.
WLF/ZZN: What was the reception like?
People genuinely loved it and distributors as well as other festival representatives from all over the world also liked it enough to ask for DVD screeners from my agent for their up and coming festivals.
WLF/ZZN: Does marijuana come into play in your own zombie defense strategy? Do you consider it to be part of any well-stocked hidey-hole?
If zombies ever took over the world I would definitely grow fields of marijuana and find ways to get the zombies to work my fields for me! What better substance to have for future medicine as well as leisure escape?
WLF/ZZN: Please tell us about the casting process. What impressed you most about the actors cast as Tommy and Edwin.
The thing that really impressed me about ALL my cast and crew was the fact that they understood the commitment I was asking of all of them and they gave it! It was a tough 15-day shoot where I would soak them from head to toe with blood at 8AM each day then we would shoot until 10 PM that night. The whole time I would have to soak them again and again to make sure my continuity was perfect. They were devoted to the project 100%!
WLF/ZZN: Simone Bailly has mad Sci-Fi cred, and is one hot tomato. I don't really have a question there, just pointing it out. Wouldn't you agree?
The reason I cast Simone was because of her eyes before anything else. I met her on the set of Stan Helsing a film that was EPK Producer on and she was a stand in. The second I saw her and it was not even up close but rather form a distance I immediately thought to myself that she was Leah! I wanted someone with sexy cat like eyes that would pull you in the second you saw her. Simon Bailly is a true professional who brought so much to the film with her talents and her vibrant beautiful screen presence.
WLF/ZZN: Is Canada considered to be a zombie-friendly country? I would guess the brisk weather would make zombies stay fresher longer.
Canada is definitely great for zombies because of the constant cold and rainy weather we have, especially in BC! Also if there was ever a mass zombie attack here, we would not be short on weed let me tell ya.
WLF/ZZN: I understand that there are marijuana loving bears in British Columbia. Do you think these ursine creatures would operate in concert with zombies, or against them? (this is what I refer to here: http://www.tokeofthetown.com/2011/05/canadian_marijuana_bears_wake_up_with_the_munchies.php )
If the bears were high on weed then it could go two ways. On one hand they would be really sluggish and therefore easy to get eaten by a horde of zombies. On the other hand they would have a bad case of the munchies themselves in which case the zombie would be the ones in trouble. It could go either way.
WLF/ZZN: What have you enjoyed most about promoting Bong of the Dead?
What I have enjoyed the most about promoting my movie is the fact that the world has accepted it! It’s a tough thing to pour almost 4 years of your life into something, sacrificing it all then exposing yourself to the world. Lets face it audiences are spoiled today with all the dazzling multi million dollar effects that they get to see in so many films. You do a film for only $5000 and you’re going against major studios its nerve-wracking! I’m just happy that fans and critics all are loving my movie!
WLF/ZZN: Where can fans go to see this film? Is there a DVD release forthcoming?
Currently Vancouver fans or anyone close to Vancouver BC can see it again at the Rio theatre in Vancouver on August 19th then maybe again on October 9th! I'm trying to 4 wall my movie so if any other regions want to see the film then I would love to hear about it because I will bring it to a theatre near you! Also it will be available in Europe on DVD in October. I'm still awaiting domestic distribution which means it will soon be available in the US and Canada.